Introduction
Will Geer, born William Aughe Ghere on March 9, 1902, in Frankfort, Indiana, emerged as a multifaceted figure in American culture. Raised in a family of progressive thinkers, Geer’s upbringing instilled in him an enduring passion for social justice. His early education at Frankfort High School set the stage for his later pursuits in both the arts and activism. He went on to earn a botany degree from the University of Chicago, a testament to his diverse interests.
Initial Foray into Acting and Activism
Geer's career began in the 1920s when he moved to New York City. His involvement with the burgeoning labor movement of the time paralleled his work in the theatre. He performed in various productions, including those at the Group Theatre, an influential collective known for its socially conscious plays. His role in Clifford Odets' "Waiting for Lefty" was particularly notable, reflecting his commitment to workers' rights.
Friendship with Woody Guthrie
In the 1930s, Geer relocated to California, where he befriended Woody Guthrie, a rising folk singer. Their mutual interests in music and activism forged a strong bond. They collaborated on several projects aimed at highlighting the struggles of the working class. This period also saw Geer’s involvement in the John Steinbeck adaptation of "The Grapes of Wrath," which further solidified his reputation as an actor with a cause.
Blacklisting and the Hollywood Ten
The 1940s and 1950s were tumultuous for Geer. His outspoken political views and associations with leftist causes led to his blacklisting during the McCarthy era. Despite this setback, Geer continued his activism, often performing at union rallies and organizing events for the Communist Party USA. His financial situation during this period was precarious, as the blacklisting severely limited his acting opportunities.
The Rise of "The Waltons"
Geer's fortunes changed with his casting as Grandpa Zebulon Walton on the popular television series "The Waltons" in 1972. The show, which ran for nine seasons, was a critical and commercial success. Geer's portrayal of the wise and loving grandfather earned him an Emmy Award in 1975. The financial stability provided by his role on "The Waltons" allowed Geer to invest in his other passion—horticulture.
Theatricum Botanicum
In 1951, leveraging his botany background, Geer founded the Theatricum Botanicum in Topanga Canyon, California. This unique venue combined his love for the arts and nature, offering a space for performances and educational programs. The Theatricum remains a testament to Geer’s vision, continuing to host Shakespearean plays and other cultural events. The initial investment for the Theatricum was modest, but through community support and Geer’s dedication, it grew into a thriving institution.
Personal Life and Relationships
Geer's personal life was as dynamic as his professional one. He was married to actress Herta Ware, with whom he had three children—Ellen, Kate, and Thad. Despite their divorce in 1954, Geer and Ware maintained a close relationship. Ellen Geer followed in her father's footsteps, becoming an accomplished actress and director.
Later Years and Legacy
Geer’s later years were marked by continued involvement in both acting and activism. He appeared in several films and television shows, including "Jeremiah Johnson" (1972) and "In Cold Blood" (1967). His financial legacy, bolstered by his work on "The Waltons," allowed him to support various social causes and his beloved Theatricum.
Death and Posthumous Recognition
Will Geer passed away on April 22, 1978, at the age of 76. His death marked the end of a significant chapter in American cultural history. In recognition of his contributions, the Theatricum Botanicum remains a vibrant cultural center, preserving his legacy. Geer's impact on American theater, television, and social activism continues to be celebrated, with retrospectives and documentaries highlighting his multifaceted career.
Financial Insights and Contributions
Throughout his career, Geer’s financial contributions to the arts and activism were significant. His investment in the Theatricum Botanicum, estimated at around $50,000 in its early years, has paid dividends in cultural enrichment. His work on "The Waltons" reportedly earned him $10,000 per episode, a substantial sum that provided financial security and enabled further philanthropic efforts.
Conclusion
Will Geer’s life was a tapestry of artistry, activism, and innovation. His contributions to the entertainment industry and social justice movements left an indelible mark on American culture. From his early days in New York to his later years in California, Geer’s legacy is one of unwavering commitment to his principles and passions. His story is a reminder of the power of art and activism to effect change and inspire future generations.
